A Persian Cafe, Edward Lord Weeks

Showing posts with label Chess. Show all posts
Showing posts with label Chess. Show all posts

Monday, 25 January 2016

One Reason to be Glad About Sexism


I don't think many people in the chess world intend to be sexist - much of the more blatant sexism is of the "benevolent" kind - the tournament livestream watcher who, writing in, addresses the commentators as "wise Peter and beautiful Sopiko", for example. But the demographics are very much male-dominated, and the culture surrounding the game reflects that - not helped by the fact that FIDE, the game's international governing body, is one of the last remaining bastions of the USSR.

Perhaps because of this culture, perhaps because of sexism in the communities from which chess players arise, perhaps because men tend to think more analytically, and perhaps simply because men tend to exhibit more variation than women in their abilities, there are vastly more strong male players than female players. Hou Yifan, the strongest female chess player in the world, is the world's 68th strongest player overall. I don't know how many male players are stronger than Humpy Koneru, the female no. 2, but a bit of extrapolation from the ratings at the lower end of the top 100 men suggests she's probably some way outside the top 200.

This means that there are a great many men who could potentially choose to identify as transwomen and compete for the women's world championship. I can definitely imagine some men doing that to become Women Grand Masters, the bar for which is set considerably lower than that which exists for Grand Masters proper, but I think it's unlikely to happen for the world championship.

Firstly, success in top chess tournaments has a lot to do with preparation. Magnus Carlsen, not a player noted for his strength in the opening, had no fewer than four grandmasters helping him on a daily basis during his last title defence - three of them "Super-GMs", members of the elite group of fifty or so of the world's very strongest players. (Only one woman - the great Judit Polgár - has ever been a super-GM). I imagine that it would be easier for someone uncontroversially accepted to be a woman to find willing aides than someone who might be seen as a huckster.

Second, and perhaps more fundamentally, people don't really care about the women's events. Judit Polgár was the undisputed greatest female player in the world for over 25 years, and never once bothered to compete for the title of Women's World Champion. Hou Yifan's dominance of the female chess world is not as total as that which Polgár had - though still very solid, even more than Magnus Carlsen's domination of the men's game - and she is a past Women's World Champion, but at the time of the most recent Championship she simply didn't bother to compete. Granted, it was because of a clash with another tournament, but the tournament she went to wasn't especially high-status either. To Kirsan Illyumzhinov and other bigwigs at the Federacion Internationale d'Echecs (FIDE), such events are an extra source of kickbacks. To everyone else, they're just yet another low-level tournament, reports of which tend to include rather more pictures than normal.

Saturday, 31 October 2015

An Operatic Miniature

A large part of being good at chess is pattern recognition: seeing that the position in front of you is similar to one you've seen before, and is therefore likely to reward the same principles. I had a recent example of this in a cute little game which rather neatly resembled the famous Opera House Game.

The Opera House Game was a game played in 1858 between Paul Morphy, an American would-be lawyer and likely the greatest player of his generation, and a pair of European aristocrats who compelled him to play them while he was trying to enjoy a performance of Norma.

As a brief run-though of the Opera House Game: 1. e4 e5 2. Nf3 d6 3. d4 Bg4 4. dxe5 Bxf3 5. Qxf3 dxe5 6.Bc4
White has got two pieces out while Black has none, and already threats are appearing on the board.
6... Nf6 7. Qb3 Qe7
White could actually win two pawns here, via 8. Bxf7+ Kd8 (8...Qxf7? 9. Qxb7) 9. Qxb7 Qb4+, but the queens come off and Morphy opts to just continue getting his pieces out.
8. Nc3 c6 9. Bg5 b5?
White has four pieces out and his rooks will arrive very shortly; Black has two pieces developed, one of which is pinned against the other. He also faces a real struggle to get pieces active, with both the c6 and e7 square occupied.
10. Nxb5! cxb5 11. Bxb5+ Nbd7 12. 0-0-0 Rd8
Black has very little space, with his king trapped in the centre and few of his pieces doing anything much. White now crashes through with a temporary exchange sacrifice:
13. Rxd7! Rxd7 14. Rd1
When attacking in chess, sacrificing one rook then bringing the other into its place is a classic maneuvre.
14... Qe6 15. Bxd7+ Nxd7
All is now set for the final flourish:
16. Qb8+! Nxb8 17. Rd8#
And White delivers mate with his last two remaining pieces.


My game does not have quite so nice an ending - largely because my opponent resigned when he saw what was coming - but is still rather nice.

loserforsale - nachtfalter, Chess.com, 10th October 2015
10 mins/game

1. d4 e5 2. dxe5 Nc6 3. Nf3 Qe7 4. e4 Nxe5 5. Nc3 Nxf3+ 6. Qxf3 Nf6 7. Bg5
You may already recognise some of the same patterns here. My plan as white is to castle and then to pay Nd5, which brings massive power to bear on f6 to win a pawn and prevent black from ever castling.
7...d6 8. 0-0-0 Be6??
This removes the queen's coverage of e5, which makes White's attack much easier.
9. e5 dxe5 10. Bxb7 Rd8 11. Bb5+ Bd7
Based upon the Opera House Game, can you guess what's coming?
12. Rxd7 Rxd7 13. Rd1
At this point my opponent resigned, though mate would likely have followed within five moves, e.g. 13...h6 14. Rxd7 Qxd7 15. Qc8+ Ke7 16. Qxd7#